Incomparable Scenery
Comparative Views in the White Mountains

The Belknap Mill Society
Sunday, August 15, 1999 through Thursday, September 30, 1999
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Mount Washington from the Intervale

WashIntervale_Bricher.jpg (14910 bytes) WashIntervale_Champney.jpg (4843 bytes)
Alfred Thompson Bricher Benjamin Champney

The Ford, North Conway
Oil on artist's board, 7" x 12"
S/D/L/R 1864

Mount Washington from the Intervale
Oil on canvas, 15" x 25"
S/D/L/R 1872

WashIntervale_Gerry.jpg (31884 bytes) WashIntervale_Frost.jpg (4960 bytes)
Samuel Lancaster Gerry Francis Seth Frost

Mount Washington from the Saco River
Oil on canvas, 20" x 30"
S/D/L/C 1858

Mount Washington
Oil on canvas, 20" x 30"
Unsigned

[Click on the image for an enlargement]

Summer and fall, large and small, civilization and tranquility, majestic Mount Washington and the distant Mount Washington — all provide the contrasting vision of this popular White Mountain scene. Both Bricher and Gerry chose a crossing of the Saco River called "The Ford." Not evident in Bricher's work, the horses in Gerry's painting vividly depict the fording of the river. Whereas Gerry emphasizes the grandeur of Mount Washington, Bricher draws your attention to the foreground with cows, people, and birds. Champney chose his familiar view from the North Conway Meadows, his painting conveying the vastness of the distant peaks. Frost's painting is more intimate, with father and son haying in the open field and a couple with their children picnicking on the shore.

Note some characteristics of the artists — Champney's use of fall colors; Gerry's use of dogs and people on horseback; Frost's use of small figures, wispy clouds, and the oval format; Bricher's use of calm water.


The Exhibition
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