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 William
Trost Richards was one of the foremost proponents of the American Pre-Raphaelite
movement. Meticulously faithful factual rendering was deemed essential,
and throughout his life, Richards practiced this tenet. His views of the
White Mountains are almost photographically identifiable, yet he imbues them
with a delicacy and atmospheric quality that makes them extraordinarily
beautiful. Richards was known to have used photography as an aid in
obtaining his extraordinary realism. Though he was proficient with oils,
many of his most appealing works are executed in watercolor.
Richards first publicly shown work was
exhibited at the Bierstadt Exhibition in New Bedford, MA in 1858. In 1859
he painted The Great Stone Face. In 1872, 1874, and 1876 he
produced a number of watercolor views of the White Mountains of consummate
beauty, several of which were presented to the
Metropolitan Museum of Art by the
Reverend Elias Magoon.
Richards exhibited at the National Academy of
Design from 1861 to 1899. He exhibited at the Brooklyn Art Association
from 1863 to 1885. Richards was elected a full member of the National
Academy in 1871.
In his later years,
Richards painted almost exclusively watercolors of the sea.
References
New Hampshire Scenery
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